{"id":308,"date":"2026-07-04T11:45:45","date_gmt":"2026-07-04T11:45:45","guid":{"rendered":"https:\/\/alfredjarry.fr\/jarry\/?page_id=308"},"modified":"2026-07-04T11:45:45","modified_gmt":"2026-07-04T11:45:45","slug":"yosuke-goda-julien-schuh-dir-panorama-des-romans-davant-garde-de-la-belle-epoque-1886-1906","status":"publish","type":"page","link":"https:\/\/alfredjarry.fr\/jarry\/?page_id=308","title":{"rendered":"Yosuk\u00e9 Goda &amp; Julien Schuh (dir.) &#8211; Panorama des romans d\u2019avant-garde de la Belle \u00c9poque (1886-1906)"},"content":{"rendered":"\n<p>Collection <em>Romans fin-de-si\u00e8cle \/ Romans d\u2019avant-garde<\/em><br>Paris &amp; Tusson, Soci\u00e9t\u00e9 des Amis d\u2019Alfred Jarry &amp; Du L\u00e9rot, \u00e9diteur, 2026<br>10 \u20ac<\/p>\n\n\n\n<p>Entre 1884 et la veille de la Grande Guerre, le roman fran\u00e7ais traverse une crise f\u00e9conde. Contest\u00e9 par la critique, concurrenc\u00e9 par le vers et travaill\u00e9 par les psychologies nouvelles, il devient un laboratoire o\u00f9 d\u00e9cadents, symbolistes et h\u00e9ritiers du naturalisme \u00e9prouvent des formes in\u00e9dites : monologue int\u00e9rieur, roman-po\u00e8me, r\u00e9cits brefs et composites.<\/p>\n\n\n\n<p>Ce panorama suit cette reformulation du genre \u00e0 travers une s\u00e9rie de dates et d\u2019\u0153uvres significatives, et offre une porte d\u2019entr\u00e9e dans la collection.<\/p>\n\n\n\n<p>Volume dirig\u00e9 par Yosuk\u00e9 Goda et Julien Schuh, avec la collaboration d\u2019Aur\u00e9lie Briquet, Helen Craske, Romain Enriquez, Bruno Fabre, Vincent Gogibu, Franck Javourez, Samuel Kunkel et Richard Shryock. &nbsp;<\/p>\n\n\n\n<p><strong>Sommaire<\/strong><\/p>\n\n\n\n<p>Introduction, Julien Schuh &amp; Yosuk\u00e9 Goda, p. 5<\/p>\n\n\n\n<p>1886 : Villiers de l\u2019Isle-Adam, <em>L\u2019\u00c8ve future<\/em>, Romain Enriquez, p. 17<\/p>\n\n\n\n<p>1889 : Rachilde, <em>Le Mordu<\/em>, Helen Craske, p. 21<\/p>\n\n\n\n<p>1890 : Adrien Remacle, <em>L\u2019Absente<\/em>, Romain Enriquez, p. 25<\/p>\n\n\n\n<p>1892 : Adrien Remacle, <em>La Passante<\/em>, Romain Enriquez, p. 29<\/p>\n\n\n\n<p>1894 : Marcel Schwob, <em>Le Livre de Monelle<\/em>, Bruno Fabre, p. 33<\/p>\n\n\n\n<p>1897 : Jean de Tinan, <em>Penses-tu r\u00e9ussir ! ou les Diverses Amours de mon ami Raoul de Vallonges<\/em>, Aur\u00e9lie Briquet, p. 39<\/p>\n\n\n\n<p>1898 : Gustave Kahn, <em>Le Conte de l\u2019or et du silence<\/em>, Richard Shryock &amp; Samuel Kunkel, p. 43<\/p>\n\n\n\n<p>1899 : Alfred Jarry, <em>L\u2019Amour absolu<\/em>, Aur\u00e9lie Briquet, p. 47<\/p>\n\n\n\n<p>1900 : Henri de R\u00e9gnier, <em>La Double Ma\u00eetresse<\/em>, Franck Javourez, p. 63<\/p>\n\n\n\n<p>1905 : Marie Krysinska, <em>La Force du d\u00e9sir<\/em>, Romain Enriquez, p. 69<\/p>\n\n\n\n<p>1906 : Remy de Gourmont, <em>Une nuit au Luxembourg<\/em>, Vincent Gogibu, p. 73<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/alfredjarry.fr\/jarry\/wp-content\/uploads\/2026\/07\/couverture_panorama-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"703\" height=\"1024\" src=\"https:\/\/alfredjarry.fr\/jarry\/wp-content\/uploads\/2026\/07\/couverture_panorama-703x1024.jpg\" alt=\"\" class=\"wp-image-309\" srcset=\"https:\/\/alfredjarry.fr\/jarry\/wp-content\/uploads\/2026\/07\/couverture_panorama-703x1024.jpg 703w, https:\/\/alfredjarry.fr\/jarry\/wp-content\/uploads\/2026\/07\/couverture_panorama-206x300.jpg 206w, https:\/\/alfredjarry.fr\/jarry\/wp-content\/uploads\/2026\/07\/couverture_panorama-768x1118.jpg 768w, https:\/\/alfredjarry.fr\/jarry\/wp-content\/uploads\/2026\/07\/couverture_panorama-1055x1536.jpg 1055w, https:\/\/alfredjarry.fr\/jarry\/wp-content\/uploads\/2026\/07\/couverture_panorama-1407x2048.jpg 1407w, https:\/\/alfredjarry.fr\/jarry\/wp-content\/uploads\/2026\/07\/couverture_panorama-scaled.jpg 1758w\" sizes=\"auto, (max-width: 703px) 100vw, 703px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Collection Romans fin-de-si\u00e8cle \/ Romans d\u2019avant-gardeParis &amp; Tusson, Soci\u00e9t\u00e9 des Amis d\u2019Alfred Jarry &amp; Du L\u00e9rot, \u00e9diteur, 202610 \u20ac Entre 1884 et la veille de la Grande Guerre, le roman fran\u00e7ais traverse une crise f\u00e9conde. Contest\u00e9 par la critique, concurrenc\u00e9 par le vers et travaill\u00e9 par les psychologies nouvelles, il devient un laboratoire o\u00f9 d\u00e9cadents, &hellip; <a href=\"https:\/\/alfredjarry.fr\/jarry\/?page_id=308\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Yosuk\u00e9 Goda &amp; Julien Schuh (dir.) &#8211; Panorama des romans d\u2019avant-garde de la Belle \u00c9poque (1886-1906)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-308","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alfredjarry.fr\/jarry\/index.php?rest_route=\/wp\/v2\/pages\/308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alfredjarry.fr\/jarry\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alfredjarry.fr\/jarry\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alfredjarry.fr\/jarry\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alfredjarry.fr\/jarry\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=308"}],"version-history":[{"count":1,"href":"https:\/\/alfredjarry.fr\/jarry\/index.php?rest_route=\/wp\/v2\/pages\/308\/revisions"}],"predecessor-version":[{"id":310,"href":"https:\/\/alfredjarry.fr\/jarry\/index.php?rest_route=\/wp\/v2\/pages\/308\/revisions\/310"}],"wp:attachment":[{"href":"https:\/\/alfredjarry.fr\/jarry\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}